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Canon

Canon RF 50mm T1.3 Cinema Lens

SKU CH-D4H2-BQ8ZM

Native RF-mount cinema prime for 8K HDR capture with T1.3 aperture and unified gear positioning across seven focal lengths

  • Crisp 8K HDR images from T1.3 aperture
  • Native RF mount fits Canon and third-party RF cameras
  • Uniform gear position and diameter across seven focal lengths
  • Smooth manual focus rotation for precise cinematic control
  • Real-time metadata capture and in-camera distortion correction

Professional 50mm RF-mount cinema lens

This Canon RF 50mm T1.3 lens is a native RF-mount prime built for professional photography and videography. It delivers crisp, richly contrasted images rated for 8K and HDR capture. The lens forms part of a seven-focal-length series covering 14, 20, 24, 35, 50, 85, and 135 mm.

Suited to RF-mount cinema workflows

It suits cinematographers and photographers who need consistent gear positioning and uniform front diameter across the full prime set. Real-time metadata capture and in-camera electronic distortion correction streamline production. Buyers who require autofocus or a zoom range should look at alternative lens types.

Verify RF-mount compatibility before ordering

Confirm that your camera body uses a native RF mount, including supported third-party models. The T1.3 aperture and manual focus design demand exposure and focus control appropriate for cinema workflows. Ensure your matte box and follow-focus accessories match the shared gear position and front diameter of the series.

How it compares

Measured against everything we stock in Interchangeable Camera Lenses, at today’s prices. Recalculated every night.

Price $2,876.99
Pricier than about 91% of the 2,570 comparable items (median $546.49).

Specifications

No published specifications for this item yet.

Questions about this item

Does this 50mm T1.3 lens need an RF-mount camera to operate?

Yes, it is built with a native RF mount and works on RF-mount cameras, including third-party bodies that use the same mount.

Will the 50mm T1.3 share focus gear position with my existing 24mm and 85mm RF cinema primes?

All seven RF Prime Series lenses — 14, 20, 24, 35, 50, 85, 135 mm — use identical gear positioning and front diameter for consistent follow-focus setup.

How can I verify the 50mm T1.3 is capturing 8K HDR footage correctly after mounting?

Check that the camera displays real-time lens metadata and applies electronic distortion correction automatically, both signs the lens is communicating properly.

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