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Long silver telephoto lens with black mount and focus ring for Fujifilm GFX

TTARtisan

TTARtisan 500mm f/6.3 camera lens for Fujifilm GFX

SKU CH-P0BC-TW524

A 500mm telephoto lens for Fujifilm GFX with an f/6.3 to f/32 aperture range and 8 elements in 5 groups including two ED glass elements

  • Sharp 500mm reach for distant detail
  • f/6.3–f/32 aperture controls depth of field
  • Two ED elements reduce chromatic aberration
  • Two high-index elements improve optical correction
  • Built for Fujifilm GFX mount cameras

Telephoto lens for Fujifilm GFX

The TTArtisan 500mm f/6.3 is a manual-focus prime built for Fujifilm GFX-mount cameras including the GFX 50R, 50S, 100 and 100S. It targets photographers who need long reach for wildlife, sports, aviation or deep-sky astrophotography without the bulk of traditional super-telephotos.

Aperture range f/6.3 to f/32

The fixed f/6.3 maximum aperture keeps the barrel compact while still gathering enough light for daytime action and tracked night-sky work. Stopping down to f/32 provides deep depth of field for compressed landscapes, though diffraction will soften fine detail at the smallest settings.

Optical design with ED glass

The construction uses 8 elements in 5 groups, including two extra-low dispersion elements and two high-index elements that suppress chromatic aberration and coma. This correction is the deciding factor for clean star fields and high-contrast wildlife silhouettes.

How it compares

Measured against everything we stock in Interchangeable Camera Lenses, at today’s prices. Recalculated every night.

Price $292.99
Cheaper than about 77% of the 2,570 comparable items (median $546.49).

Specifications

No published specifications for this item yet.

Questions about this item

Will this 500mm f/6.3 lens cover the medium-format sensor on my GFX 50S without vignetting?

Yes, the lens is designed for the Fujifilm GFX mount and is listed as compatible with the GFX 50S, 50R, 100 and 100S, so it covers the full medium-format image circle.

How can I verify the two ED glass elements are controlling chromatic aberration as claimed?

Shoot a high-contrast edge such as a dark branch against a bright sky at f/6.3 and inspect the raw file at 100%; well-controlled colour fringing on both sides of the edge confirms the ED elements are working.

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