Hosa Technology STP-202 2m 1/4 in TRS to Dual 1/4 in TS instrument cable
- 1/4 in TRS to Dual…
- Black
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Two 3 ft right-angle XLR cables with zinc alloy locking connectors and dual shielding for tight spaces
This two-pack of 3 ft XLR cables uses a 90-degree right-angle male connector that sits flush against panels, reducing bulk in dense racks, pedalboards and console rear panels. Zinc alloy shells and a spring-loaded locking mechanism provide secure engagement rated for over 5000 insertion cycles. Dual-layer shielding combines aluminium foil and braided copper to reject 95% of EMI and RFI from wireless systems and power cables.
The right-angle design suits permanent installations and live rigs where straight connectors would block adjacent ports or protrude into walkways. Buyers who need longer cable runs or straight connectors for open patching should look at alternative cable styles. The fixed 3 ft length limits flexibility for wider stage layouts or distant microphone placement.
At 3 ft each, the pair comfortably handles close-proximity connections between rack units, audio interfaces and stage boxes without excess slack. The 48 kHz refresh rate specification supports standard digital audio workflows. Runs that exceed the short length or require in-line extension will need additional cables or a different length option.
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| Product | |
|---|---|
| Brand name | Hosa |
| Product type | XLR |
| Product color | Black |
| Display | |
| Refresh frequency | 48 kHz |
| Ports & slots | |
| Connector count | 1 |
| Connector gender | Male to Female |
| Size & build | |
| Overall length | 5 ft (1.52 m) |
The precision-molded right-angle male connector sits flush against equipment panels, eliminating bulk in cramped rack units and preventing port interference in high-density setups.
The zinc alloy shells feature a spring-loaded locking mechanism tested to withstand 5,000+ insertion cycles, ensuring positive engagement and preventing accidental disconnections.
The aluminum foil and braided copper shielding blocks 95% of EMI/RFI interference, delivering clean audio transmission in RF-heavy environments like stages and broadcast trucks.
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