Logitech 988-000549 Blue Yeti Microphone Black USB Type C
- USB Type C
- Black
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A dynamic XLR microphone with a supercardioid pattern, 135 dB SPL handling and 78 dB SNR for broadcast-quality podcasting and vocals
The Zoom ZDM-1 is a large-diaphragm dynamic microphone built for podcasting, voice-over work and vocal recording. Its supercardioid polar pattern focuses on the speaker while rejecting sound from the sides. The all-metal body and internal shock mount withstand daily studio use. An integrated humbucking circuit rejects electromagnetic interference for a cleaner signal.
The capsule tolerates sound pressure levels up to 135 dB without clipping, so loud vocals or instruments stay clean. A signal-to-noise ratio of 78 dB keeps self-noise low during quiet passages. The supercardioid pattern and internal shock mount suppress handling noise and room reflections. No phantom power is required for operation.
The microphone terminates in a standard three-pin XLR connector for direct connection to any audio interface or mixer. A pivoting stand mount and threaded adapter are supplied in the box for quick positioning on a desk stand or boom arm. The rugged metal grille protects the capsule from accidental knocks. Buyers needing USB connectivity or wireless operation should consider other models.
Measured against everything we stock in Streaming & USB Microphones, at today’s prices. Recalculated every night.
| Product | |
|---|---|
| Brand name | Zoom |
| Model name | ZDM-1 |
| Part number | ZDM-1 |
| Product color | Black |
| Audio & video | |
| Mic sensitivity | 135 decibels |
| Mic signal-to-noise ratio | 78 decibels |
| Ports & slots | |
| Connection | XLR |
Screw the included pivoting mount onto the microphone’s threaded base, then fasten the supplied adapter to your stand’s thread; tighten both by hand until the mic cannot rotate.
The all-metal grille can collect moisture and dust; wipe it with a dry cloth and occasionally unscrew it to clear debris from the foam windscreen underneath.
The capsule handles up to 135 dB SPL, so distortion only appears when the source exceeds that level — well above typical shouting or close-miked drums.
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