Logitech 988-000549 Blue Yeti Microphone Black USB Type C
- USB Type C
- Black
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Three-zone paging microphone with dynamic transducer, omnidirectional pickup and flexible gooseneck for clear announcements
The Electro-Voice MP785 is a dynamic gooseneck microphone built for professional paging in large spaces or group settings. Its omnidirectional polar pattern captures sound from all directions to ensure consistent audio coverage. Three color-coded buttons allow individual or collective zone calling with a single press. The unit is designed for clear, intelligible voice communication in installed sound systems.
The dynamic transducer handles high sound pressure levels without distortion, keeping voice reproduction clean during announcements. A die-cast aluminum body with a satin-chrome finish resists wear while the steel flex boom arm provides stable, adjustable positioning. The design minimises unwanted background noise so the speaker remains the focus. No external power supply is required for the microphone capsule itself.
The microphone terminates in an XLR connector for direct integration with compatible mixing consoles, paging amplifiers or zone controllers. The 3-zone switching logic requires a supporting controller or pre-amplifier that can interpret the button signals. The gooseneck form factor frees up desk or lectern space compared to handheld alternatives. Installation is limited to environments with wired audio infrastructure and zone-paging capability.
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No published specifications for this item yet.
Screw the aluminum base to the desk or lectern, plug the XLR cable into the mixer, then press each color-coded zone button to verify the paging zones are mapped correctly before going live.
Wipe the satin-chrome finish and steel flex boom with a dry cloth; the dynamic capsule has no battery or phantom power requirement, so no internal servicing is needed unless the XLR connector wears out.
The dynamic transducer handles high sound pressure levels without distortion, so the practical limit is operator fatigue or the mixer's gain staging rather than the microphone itself.
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