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Right-angled 3.5 mm plug splits to four XLR male ends, short black cable

LORDWORLD

LORDWORLD SR-C2026 3.5mm TRRRS to 4X XLR Male Cable for Blink 500 T4

SKU CH-A4G0-GMVYX

Converts a 3.5mm TRRRS output into four mono XLR male connections for the Blink 500 T4 system

  • Splits one 3.5 mm TRRRS output into four mono XLR male feeds for multi-track recording
  • Right-angled 3.5 mm plug keeps the connection low-profile on the Blink 500 T4 receiver
  • 6 in (0.6 m) cable reaches camera or mixer inputs without excess slack
  • Gold-plated contacts resist corrosion and maintain clean signal transfer
  • Weighs 6.49 oz (184 g) for lightweight rigging

Professional Audio Splitter for Blink 500 T4

The LORDWORLD SR-C2026 is a dedicated breakout cable that lets four wireless microphones feed separate XLR inputs on cameras, mixers or recorders. It targets videographers and sound operators who use the Saramonic Blink 500 T4 system and need discrete tracks for post-production mixing.

TRRRS to Quad XLR Male Breakout

A single right-angled 3.5 mm TRRRS plug splits into four mono XLR Male connectors, converting the receiver’s combined output into four independent channels. This specific wiring is the deciding factor; it only works with the Blink 500 T4 receiver and will not carry a standard stereo or TRRS signal to four XLR inputs.

Short Reach for On-Body or Bag Work

At 0.6 m the cable keeps the receiver close to the camera or mixer, reducing strain on the 3.5 mm jack and avoiding excess slack on a rig. It handles four simultaneous mono feeds with gold-plated contacts, but the fixed length rules out runs to a distant rack or floor-standing recorder.

How it compares

Measured against everything we stock in 3.5mm Aux Audio Cables, at today’s prices. Recalculated every night.

Price $37.99
Pricier than about 85% of the 309 comparable items (median $9.99).

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Specifications

Product
Brand nameLORDWORLD

Questions about this item

What does the 3.5 mm TRRRS connector actually carry into my recorder?

It splits the Blink 500 T4 receiver output into four separate mono XLR feeds so each wireless mic records to its own track for independent level control and post-production mixing.

How does the TRRRS wiring limit what I can plug into the four XLR outputs?

The cable carries four discrete mono channels from the receiver; each XLR Male connector delivers one channel at line level, so you connect directly to camera, mixer or interface inputs without additional adapters.

Will the right-angled 3.5 mm plug and 0.6 m cable reach my camera’s XLR ports without strain?

The right-angled TRRRS plug sits flush against the receiver, and the 0.6 m tail gives enough slack to route to four XLR inputs on a camera or recorder while weighing only 184 g.

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