Logitech 988-000549 Blue Yeti Microphone Black USB Type C
- USB Type C
- Black
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Dynamic broadcast microphone with dual XLR and USB-C outputs, built-in DSP effects and zero-latency headphone monitoring, bundled with a two-section studio arm
The RODE PodMic USB is a dynamic broadcast microphone built for podcasters, streamers and voice-over artists who need professional sound in one package. It delivers the rich, balanced tone of the original PodMic while adding USB-C connectivity alongside the traditional XLR output. This dual-interface design lets you plug directly into a computer or route through a mixer without changing microphones. The bundle includes the Auray BAI-2N two-section broadcast arm with internal springs for flexible positioning.
The single specification that decides fit is the presence of both XLR and USB-C connections on the same capsule. XLR feeds an external interface or mixer for classic analogue workflows. USB-C engages the onboard Revolution preamp, A/D conversion and DSP effects including APHEX Aural Exciter and Big Bottom processing via the RØDE Central app. Choose the path that matches your current signal chain; no adapter can add the missing interface later.
The Auray BAI-2N arm clamps to a desk and uses internal springs to hold the microphone steady through long sessions, keeping the capsule at mouth level without a separate stand. When running over USB-C the 3.5 mm headphone port provides zero-latency monitoring with a dedicated volume slider, so you hear exactly what is being recorded. The setup handles broadcast speech, streaming dialogue and voice-over work comfortably; it runs out when a session demands multiple simultaneous microphones or phantom-powered condenser capsules.
Measured against everything we stock in Streaming & USB Microphones, at today’s prices. Recalculated every night.
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The RØDE Central app unlocks APHEX Aural Exciter and Big Bottom processors that add professional vocal polish to the digital signal.
USB-C enables the internal Revolution preamp, A/D conversion and DSP effects, while XLR remains a pure analog output for external interfaces.
The two-section broadcast arm clamps to the desk edge and uses internal springs to hold the microphone in position.
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